Urdu Poet Ameer Khusro Shayari امیر خسرو کی شاعری, Read Urdu Poetry of Ameer Khusro, read large collection of Ameer Khusro Ghazals, Nazams and Poems. (Persian: / Urdu ابوالحسن یمینالدین خسرو ; Hindi: अबुल हसन यमीनुद्दीन ख़ुसरौ, better known as Amir Khusrow (or Khusrau) Dehlawi. A Sufi mystic and a disciple of Nizamuddin Auliya, Amir Khusro’s portrayal of TAGS: amir khusroa, amir khusro poems, poetry, urdu poetry.
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He was an iconic figure in the cultural history of the Indian subcontinent. In the renowned Pakistani musician Khurshid Anwar played a key role in observing the th birth anniversary of Amir Khusrow. An influential modern commentator on Indian music, Thakur Jai Deva Singh, answers in the affirmative. It is derived by making small variations in Khat.
History, Schools and Traditions, Aban E. In fact, it ugdu he who started the process of synthesizing Turko-Persian music with Indian music. The sense also needed to be complete only with the addition of Hindi words. All these works made Khusrow a leading luminary in the world of poetry. Khusrow wrote primarily in Persian. Inscribed in the top terrace of the Shalimar BaghSrinagar now in Jammu and KashmirIndiaare some famous phrases in Persian, which are sometimes attributed to Khusrow, although are not found in any of his written works:.
Khusrow wrote the Khaza’in ul-Futuh Aamir Treasures of Victory recording Ala ud-Din’s construction works, wars and administrative services. DaulatabadTranslated in Urdu by: But generally speaking, the Nirgit used hard consonants. The left drum bayan is used to generate deeper sounds, and support ,husro melody which is chiefly carried by the right drum.
It is a composite of Hind. Musical innovations ascribed to Khusrau Khusrau is said to be the inventor of the sitar3 and the tabla. I compose verses in Hindwi with the fluency of running water. Dar aiman neirez z. He wrote these lines in their honour:. The invention of the tabla ,husro also traditionally attributed to Amir Khusrow.
His riddles are one of the most popular forms of Hindavi poetry today. The last-named khuwro consisted of five volumes dealing with the arts and culture of India, one of which was dedicated to music.
Even the royal ameers, the armed acquirers, secretaries, clerks, sepoys and royal slaves, were particular about offering these supererogatory prayers. This view can be bolstered by the observation that the tabla has indigenous regional names such as the dukar. For example, the island of Socotra off the coast of Yemen had a large Indian merchant population and even may have taken its name Socotra from the Sanskrit word Sukhatara-dvipa.
Notable early Notable modern Singers. Ghulam Dastgeer, Writers Assocaition Ltd.
Urdu Books of Ameer Khusrau | Rekhta
In the case of Indic words appearing in a Persian text, the Persian transliteration conventions have been followed. His adolescence ushered him under the guidance khusri both Mufti Muizzudin Gharifi and Hazrat Nizamuddin Aulia, his xmir. The fourth voluminous masnavi was Aina-e-Sikandariwhich narrated the heroic deeds of Alexander the Great in verses. I imparted lustre to the water of Multan air the ocean of my wits and pleasantries.
Shaban-e-hijran daraz chun zulf, Wa roz-e-waslat cho umer kotah. Tarana is a Persian word meaning a song. On the seventh day, he astonished everyone present in the court by reproducing all that Gopal Nayak had presented. He not only welcomed the refugees to his court but also granted high offices and landed estates to some of them.
These translations are only partially correct. Of course, there are many ragas which are the same in the Desi and Marga systems.
The second masnavi, Khusrow-Shirinconsisted of verses.
From Wikipedia, the free encyclopedia. This brought his poetry to the attention of the Assembly of the Royal Court where he was honored. InAmir Saif ud-Din was granted a fief in the district of Patiyali.
There are a set of syllables, or sollukottus, that are typical to a Tillana. The Sovereign City in Mughal India “.
Would you please take care of my veil of self respectThe road to the well is much too difficult. He was impressed and became Khusrow’s patron in Sharia acquires meaning when it maintains a close relation with reality partaking the essence of reality-love of God.
This would again support the contention that the Perso-Arabic word t. Khusrow died in Octobersix months after the death of Nizamuddin Auliya. While Jai Deva Singh clearly admits the existence since ancient times of songs using words without semantic meaning, and drum syllables, he regards Khusrau as having invented the tarana genre for having introduced Persian words and for rearranging them to make some sense.
Sultan Shams ud-Din Iltutmishruler of Delhi, was himself a Turk like them; indeed, he had been raised in the same region of central Asia, and had undergone somewhat similar circumstances in earlier life.
Persian couplets sung in the tarana form of music basing on a single tal measure of time. Sapet man ke varaye rakhun, Jo jaye paun piya ke khatiyan.
Contemporary or even some later historians however do not remember him as a musician, but only as a poet. The explanation is probably much simpler than the speculations offered by Sarmadee.
The process of myth-making involving Khusrau seems to have already been under way by the time the Tuh. His love and respect for Hazrat Nizamuddin Aulia reached the apogee that when he heard about his death at Lakhnawati, he immediately arrived and went to his grave, where he blackened his face and rolled over in dust in utter grief, tearing his garments.
Khusrow was an intelligent child.